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Beth Campbell  

1995-97           MFA.  Ohio University.  Athens, OH
1997                Skowhegan School of Painting and Sculpture.  Skowhegan, ME
1989                BFA.  Truman State University.  Kirksville, MO

Solo Exhibitions

Not at Home.  Hotel Particulier.  New York, NY.  Curated by Sarah Murkett.
Stereotable.  Kate Werble Gallery.  New York, NY
Seomi Gallery. Seoul, Korea
Periodic Split.  Andrew Rafacz Gallery.  Chicago, IL
Tables.  Sculpture Center.  Cleveland, OH
Without ends.  Country Club at Rudolf Schindler’s Buck House, Los Angeles, CA
Beth Campbell.  James Harris Gallery, Seattle, WA
Beth Campbell.  Nicole Klagsbrun Gallery, New York, NY
Whitney Gala. Installation in lobby for Gala.  Whitney Museum of American Art New York, NY
Social Interactions. Two-person exhibition with Stephen Willats, Seiler+Mosseri-Marlio, Zurich, CH
Following Room.  Whitney Museum of American Art.New York, NY. Curated by Tina Kulkielski.
I can’t quite place it.  Feldman Gallery and Project Space, PNCA. Portland, OR
Potential Store Fronts.  In The Public Realm project, Public Art Fund. New York, NY
How did we end up here?  Nicole Klagsbrun Gallery, New York, NY
Make Belief.   Sala Diaz, San Antonio, TX
Statements. Art Basel, Miami Beach, FL
I was thinking (a living room).  Nicole Klagsbrun Gallery, New York, NY
Every other day.  Art Academy of Cincinnati, OH
Same As Me. Sandroni Rey Gallery.  Los Angeles, CA
Same As Me. Roebling Hall.  Brooklyn, NY
House (A Standardized Affectation for Telepresence). Roebling Hall.  Brooklyn, NY
White Room. White Columns. New York, NY

Selected Group Exhibitions

Autocorrect. Joseé Bienvenu Gallery.  New York, NY
Collider.  Ziehersmith Gallery.  New York, NY.  Curated by Rachel Owens.
Gravity of Sculpture: Part 2.  Dorsky Gallery.  New York. NY.  Curated by Saul Ostrow.

Letters from Home. Ochi Gallery, Ketchum, ID and Pacific Design Center, Los Angeles, CA.
economy of means: towards humility in contemporary sculpture, Scottsdale Museum of
Contemporary Art, AZ. Curated by Cassandra Coblentz.
Optotype. A show of Skowhegan Alumni,
 92YTribeca, New York, NY

Speculative Futures. Bloomberg Financial Offices in Conjunction with Sculpture Center,
            New York. Curated by Regine Basha.
Suspense. Suspended Sculptures, EX3 Centre for Contemporary Art, Florence, Italy.
             Curatedby Lorenzo Giusti and Arabella Natalini.
Plot:  Plan:  Process. 
 Leslie Tonkonow Artworks + Projects. New York, NY
Spacelift, Eyewall, 
Cleveland, OH

Natura & Destino. Galleria Riccardo Crespi, Milan, Italy
Shape Shifter.  Country Club, Cincinnati, OH
The Every Other Day.  Ideobox.  Miami, FL.  Curated by Donald Johnson-Montenegro.

The End. The Andy Warhol Museum, Pittsburgh, PA.  Curated by Eric Shiner.
Biennale Cuvee 09 World Selection of Contemporary Art.  OK Center for Contemporary
            Art, Linz, Austria.  Curated by Manray Hsu and Martin Sturm.
EFA Project Space.  New York, NY.  Curated Video Program
Fresh From Chelsea. 
 University of Florida, Gainesville, FL
Seven in One!  Seven in One Third!!  
Kate Werble Gallery, New York, NY
New Age Riot. 
Country Club Projects, Los Angeles, CA

Manifesta 7, The European Biennial of  Contemporary Art.  Trento, IT. Curated by Adam
Budak, Anselm Franke and Hila Peleg
Slightly Unbalanced. Traveling exhibition 2008-2010 organized by Independent Curators                        International. Chicago Cultural Center, Chicago, IL.  Museum.  Museum London, London Ontario.  Huntington Museum, Huntington, VA.  Rodman Hall Arts Center, St. Catharines, Ontario.  Paul and LuluHilliard University Art Museum, Lafayette, Louisiana.  Joel and Lila Harnett Museum of Art, Univeristy of Richmond Museums, Richmond VA.  Curated by Susan Hapgood.
Art on Paper 2008
 Weatherspoon Art Museum.  Greensboro, NC.  Curated by Xandra
Forever Young.  Anne+, Paris, France.  Curated by Ami Barak.
You Said he Said She Said: New York Group Show. Seiler+Mosseri-Marlio Galerie,
Zurich, CH
Interiors. Hales Gallery, London, UK
Just Love Me.  Royal/T, Los Angeles, CA.  Curated by Jay Sanders.
Skipping the Page. The Center for Book Arts, New York, NY
Leisure Suite. The Leroy Neiman Gallery.  Columbia University.  New York, NY.  Curated                           by Martin Basher.

Open House: Cincinnati Collects. Contemporary Arts Center Cincinnati, Cincinnati, OH
On Being an Exhibition. Artists Space, New York, NY.  Curated by Joseph del Pescoe.
The 6th Mercosul Biennial: The Third Bank of the River. Porto Alegre, Brazil.  Curated by
           Gabriel Perez-Barreiro.
Ke Center For Contemporary Art, Shanghai, China. Sponsored by Beijing Youth Weekly
Summer 07 Exhibition. 
 Lower East Side Printshop. New York, NY
You are here. 
Glassel School of Art, Museum of Fine Arts, Houston, TX.  Curated by Meredith Goldsmith.
I will be alright. Country Club, Cincinnati, OH

Panic Room. Deste Foundation for Contemporary Art, Athens, Greece.  Curated by Kathy
Grayson and Jeffrey Deitch.
Text Formed Drawing.
 The Contemporary Art Galleries, University of Connecticut,      Storrs, CT
Past Imperfect: Future Tense
New Center for Contemporary Art, Louisville, KY
Personal Geographies. 
Hunter College.  New York, NY.  Curated by Joanna Lindenbaum.
Table Top. Joseé Bienvenu Gallery, New York, NY
The Time-Based Art Festival (TBA:06). Portland Institute for Contemporary Art (PICA),
Portland, OR.  Curated by Kristan Kennedy.
Annotations.  Organized by Public Holiday Project for Expodium Gallery.  Utrecht, NL
And Therefore I am.Tang Museum at Skidmore College. Saratoga Springs, NY. Curated
by John Weber.
Well Read.  Nurture Art.  Brooklyn, NY.  Curated by Chrisotpher Howard.
Slow Revolution.  Rotunda Gallery.  Brooklyn, NY.  Curated by Patrick Grenier.

Looking at Words:  The Formal Presence of Text in Modern and Contemporary Works 
            on Paper.  Andrea Rosen Gallery, New York, NY
Sounds Like Drawing. The Drawing Room, London, England.  Curated by Anthony
Untitled. Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
Wordplay.  Julie Saul Gallery, New York, NY
Video Salon 3. Brooklyn, NY
Life Drawing.  Arthouse, Austin, TX.  Curated by Regine Basha.
Dating Data.  Josee Bienvenu Gallery.  New York, NY
Paper.  Nicole Klagsbrun.  New York, NY
Paper Derivations.  The Proposition, New York, NY
Happy Art for a Sad World. Spike Gallery, NY
Open House: Working in Brooklyn. Brooklyn Museum of Art, NY.  Curated by Charlotta                        Kotik and Tumelo Musaka.
Home Extension. 
University Art Museum, State University of New York.  Albany, NY.
Curated by Gregory Volk and Sabine Russ.
Drift:shift. Linda Schwartz Gallery, Cincinnati, OH
B-List.  Hallwalls.   Buffalo, NY
All About Me.  Spike Gallery.  New York, NY
Same As Me.  Visual Studies Workshop.  Rochester, NY
Fresh Meat. CEPA Gallery, Buffalo, NY
Cracker Jack.  Joseph Helman.  New York, NY
High & Inside.  Marlborough Gallery. New York, NY.  Curated by Maurice Tuchman.
Online.  Feigen Contemporary, New York, NY. Curated by Robert Store, Charlie Finch and
            George Negropante.
Hello, My name Is…..   Carnegie Museum of Art.  Pittsburgh, PA.  Curated by Laura Hauptmon and            Elizabeth Thomas.
Art Omi at 9W.   Paul Rodgers/9W Gallery.  New York, NY
Unbecoming.   Philadelphia Art Alliance.   Philadelphia, PA
27 Emerging Artists.  Spike Gallery.  New York, NY
Common Culture.  Print Exchange. Spruill Gallery.  Atlanta, GA

Temporary Residents.  Organized by the Public Art Fund
New commissions for the commons at Metrotech Center.  Brooklyn, NY
Brooklyn!  Palm Beach Institute of Contemporary Art.  Palm Beach, FL.  Curated by Domonique Nahas.
Platypus.  Lawrence Rubin-Greenberg Van Doren Fine Art. New York, NY
breathless.  Lombard-Fried Fine Arts.  New York, NY
Another Cusp.  The Clifford Gallery.  Colgate University.  Hamilton, NY.  Curated by Gregory Volk.
Artext.  Jamaica Center for Arts & Learning.  Jamaica, NY
Drawings by three artists.  Gallery Joe,  Philadelphia, PA.
Fresh:  The Altoids Curiously Strong Collection.  (*traveling)
New Museum of Contemporary Art.  New York, NY.  Consolidated Works.  Seattle,  WA.  Art LAB.   San Francisco, CA. Los Angeles Contemporary Exhibitions.  Los Angeles,CA.  Art Center/South Florida.  Miami, FL.  DiverseWorks. Houston, TX

To Be Continued.  Art in General, Bellwether and Parlor Projects.    New York, NY
Collector’s Choice II.  Orlando Museum of Art.  Orlando, FL
Artist in the Marketplace: 20th  Annual Exhibition.  Bronx Museum.   Bronx,  NY
The Space Around the Architect.  Socrates Sculpture Park.  Queens, NY
            Tomorrow.  Rare. New York, NY
Greater New York.  PS1 Contemporary Art Center.  New York, NY.  Curated by Carolyn Christov-Bakargiev.
Three Piece.  Tower Fine Arts Gallery, SUNY Brockport.  Brockport, NY

Outer Boroughs. White Columns.   New York, NY
Friendly Strangers.  Galapagos.  Brooklyn, NY
Moving into Outside. Holland Tunnel Gallery.  Brooklyn, NY
Skowhegan Alumni Exhibition/Auction. David Bietzel Gallery.  New York, NY
98 Alternatives. Ohio University Gallery.  Athens, OH

Chaperon Exhibition. Dileia Contemporary.  Cincinnati, OH
Redundant Redundant.  Dileia Contemporary.  Cincinnati, OH


Pauli, Ochi, “Beth Campbell’s Artwork is Toying with Your Percpetion.” Beautiful Decay, September 10, 2013
“The Approval Matrix.”  New York Magazine.  June 24, 2013
“Beth Campbell: Wrestling with Reality.” Interview with Sarah Murkett., June 5, 2013
Finch, Charlie,  “Beth Campbell, Bethlehem.”  Artnet
“Beth Campbell.”  The New Yorker.  October 29 and November 5, 2012
Friedman, Julia. “Critics Picks.”, March 2012
Goodman, Wendy, “Loft Imitates Art: A couple of gallery pros remake their home into a livable exhibit.”   New York Magazine, July 31
Ritchie, Abraham. ”Beth Campbell: Periodic Split.”, 2011
Moore, Bryan Allen.  “Two Coats of Paint.”  Ceramics: Art and Perception, No. 86 2011

Durrell, Jane.  “Shapeshifter (review),”  City Beat, March 31
Mogil, Laura Joseph.  “Art’s content.”  Westchester Magazine, Fall 2009
Stockman, Kathy. “Shapeshifter at Country Club.”  AEQAI, March 5, 2010

Hackett, Regine.  “Beth Campbell- The return of the mobile.”  Another Bouncing Ball.,  May 2009
Taft, Catherine.  “Catherine Taft’s Round_Up of the Best Shows in Los Angeles for November and December,”  Saatchi Online Magazine, November 27.

Ellegood, Anne.  “6th Mercosul Bienal, Porto Alegre, Brazil.”  Artforum, March
Snyder, Stephanie, “The City, Naked.” Art Lies, No. 58 Summer
Drake, Cathryn, “Italian Hours,” ArtForum,, July 24
“Beth Campbell,” Daily, November
Chaliff, Rebecca. “Beth Campbell in New York.”,  November 20
“Beth Campbell: Following Room.”  The New Yorker. January 21, 2008
Hapberg, Eva. “FW Exclusive: Beth Campbell Lets it All Hang Out,” Flavorpill,      November 11
Rabinowitz, Cay Sophie,  “Slippery Slopes in the Dolomites,”  Art in America, November
Bertelè , Eugenia,  “Beth Campbell: Blow off the request/Energetically start work on the Project.” 55 Artecritica.  August 2008
Douglas, Sarah.  “Sarah Douglas on Interiors at Hales Gallery, London.”  Saatchi Online                         Magazine, June 26
Bertelè , Eugenia, “The Armory Show 2008,”, April
Kaelin, Catherine, “One Man’s Art is Another Man’s Living Room,” Columbia Spectator: Online Edition,  February

Bischoff, Dan, “Illusions of Grandeur,” The New Jersey Star-Ledger, December 14
Schwendener, Martha, “Art in Review: Beth Campbell,” The New York Times, December 14
Jahn, Jeff, “Beth Campbell at PNCA’s Feldman Gallery,” PORT (,
November 10
Greben, Deirdre Stein, “25 Trendsetters: Beth Campbell” ARTnews, September
“Visual Arts Top Ten,” The Oregonian, September 7
Saltz, Jerry “Beyond Serra: A critic’s five favorite public artworks, all on view for free,” New York Magazine, June 18
Saltz, Jerry, “Four good temporary public sculptures in New York,”, June 21
Delgado, Lisa, “A Wrinkle in Space,” The Architect’s Newspaper, June 6
Kennedy, Randy, “What’s on Sale There? Confusion, But It’s Cheap,” The New York Times,  May 15
“Brooklyn Artist Confuses Manhattanites,” The Brooklyn Record, May 15
“Get Lost, Insert for the New Museum Newspaper,” Curated by Massimiliano Gioni
Campbell, Beth,  “Where the façades are façades,” NYFA Current (, June
Saltz, Jerry, “The Biggest Picture,”, February 12
“Beth Campbell,” Beijing Youth Weekly, May 17
Dobush, Grace.  “Beth Campbell’s many futures.” The Artist’s Magazine Blog. September 6, 2007

Schmerler, Sarah, “Slow Revolution,” Time Out New York, May 11-17
McAdams, Shane.  “Well Read.”  The Brooklyn Rail.”  April 2006
Maine, Stephen.  “Looking at Words.”  Art on Paper,  January 2006.  Vol. 10 No. 3
Lossin, Rebecca.  “Beth Campbell, Looking at Words.”  NYARTS. January/February 2006,
Vol. 11, No.1/2
Finch, Charlie, “Small is Beautiful,” Artnet. October 19
Schillingburg, Don.  “Artists on Artists Don Schillingburg on Beth Campbell,”  BOMB Magazine, No. 92. Summer 2005
Ross, Lauren, “Dating Data,” Art on Paper, May/June
Finch, Charlie, “Time and Change,” Artnet, April 5
Anspon, Catherine D., “Our Muses,” Papercity, March
Levin, Kim, “Voice Choices: ‘Paper,’ Nicole Klagsbrun Gallery,” The Village Voice,   February 16-22
Zivadinovic, Stevan , Beth Campbell: Make Belief,” GlassTire, February
Matthews, Heather, “Life Drawings: Beth Campbell, Danica Phelps and Eric Schell,” GlassTire, February
Miller, Donald, “A bizarre bazaar: Contemporary art takes leading role at this year’s
dizzying Art Basel Miami,” Naples Daily News, December 3, 2004
Sjostrom, Jan, “Giant Art Basel fields top dealers,” Palm Beach Daily News, December 3
Meyer, Ruth K., “drift: shift: Confirms a Change in Direction at Linda Schwartz Gallery,”, February 1, 2004
McCoy, Tabari, “drift: shift: Local, National Artists Featured in Visual Concept exhibition,”, January 28, 2004
Lippy, Todd, ed. Esopus, The Esopus Foundation Ltd. New York, No. 1, Fall 2003.
Johnson, Ken, “Online,” The New York Times, August 8, 2003
The New Yorker, Goings on About Town, August 8, 2003
Levin, Kim, “Online,” The Village Voice,August 6-12, 2003
Weschler, Lawrence, “Convergences,” David Eggers, ed. McSweeney’s Quarterly, No.11, San Francisco,      2003
Johnson, Ken, “Online,” The New York Times, June 13, 2003
Hill, Joe.  “Reviews New York: Fiegen Contemporary OnLine.” Contemporary, no 56.  2003
Huntington, Richard, “B-List: Brooklyn, Angst and Desire,” Buffalo News, May 2, 2003
Ollman, Leah, “So now let’ talk about me,” Los Angeles Times, April 4, 2003
Volk, Gregory.  “Beth Campbell at Roebling Hall.”  Art in America.  February 2003
Smit, Guy Richards. “Artforum Top Ten.”  Artforum.  2003
Saltz, Jerry.  “Repeat Performance.”  Village Voice.  October 9-15, 2002:  52
Hoffman, Leslie.  “Busting Out all Over.”  Pitt News,  August 22, 2002
Hughes, Robert J.  “Futures & Options.”  Wall Street Journal.  August 23, 2002
Shaw, Kurt.  “Saying ‘Hello.’”  Pittsburgh Tribune Review.  July 5, 2002
Thomas, Mary.  “Hello My Name Is…”  Post Gazette.  July 13, 2002
Vogel, Carol.  “Inside Art: For Public Art a New Scrutiny.”    The New York Times, October 5, 2001: E28
Reid, Calvin.   “Guy Richard Smit and Beth Campbell at Roebling Hall.”Art in America, September 2001
Goodman, Jonathan.  “Socrates Sculpture Park.  A Blend of Art and Community.”  Sculpture, Vol. 20, No.   3, April 2001
Humphrey, David. “New York E-Mail.”  Art Issues, March/April 2001, no. 67
Mahoney, Robert.  “Art Reviews: Beth Campbell.”  Time Out New York, Issue No 275, December 28-Jan 4 2001
Cotter, Holland.  “For Hikers Seeking Art, Brooklyn is a Left Bank.”  The New York Times,
December 15, 2001
Cotter, Holland.  “Art Review; Picking out Distinctive Voices in a Pluralistic Chorus.”  The New York Times, August 18, 2000
Johnson, Ken. “Tomorrow.”  The New York Times, July 14, 2000
Siegel, Katy.  “Greater New York.”  Artforum,  Vol XXXVlll, No. 9, May 2000
Meikle, Merry.  “The Voice in Art NW Burns and Elizabeth Campbell.”  NY Arts: International Edition, Vol. 5 No. 5
Viveros-Faune, Christian.  “Great Expectations.”  The New York Press, March 19, 2000
Saltz, Jerry.  “Greater Expectations.”  The Village Voice, Vol. XLV No. 10, March 14, 2000
Cotter, Holland.  “New York Contemporary, Defined 150 Ways.”  The New YorkTimes,  Vol. CXLIX No. 51, 319, March 6, 2000


Reese, Rachel and Trevor.  Possible Projects.  Vol 2 Issue 3 – Sept 1, 2011
Rattemeyer, Christian.  The Judith Rothschild Foundation Contemporary Drawing CollectionCatalogue Raisonne.   New York: The Museum of Modern Art.  2009
Humphrey, David. Blind handshake: David Humphrey Art Writing and Art 1990-2008. New York: Prestel Publishing; China: Periscope Publishing, 2009
Unique Window Display. Singapore: Page One; Spain: Loft Publications, 2009
Biennial Cuvee 2009: World Selection of Contemporary Art.  Linz: OK Books, 2009
Shiner, Eric C.  the Warhol:  The End.   Pittsburg:  The Andy Warhol Museum, 2009
Hapgood, Susan.  Slightly Unbalanced.  Independent Curators International.   New York
Kulkielski, Tina.  Essay. Manifesta 7 Index.  Silvana Editoriale.  Italy
del Pesco, Joseph.  On Being An Exhibition.  New York.  Artists Space, 2007

Perez-Barreiro, Gabriel.  “Beth Campbell, Never Ending Continuity Error.” The 6th Mercosul  Biennial Catalog.  Fundacau Bienal De Artes Visuais do Mercosul.  Porto Alegre, September 2007

Weschler, Lawrence.  Everything That Rises: A Book of Covergences. San Francisco,  McSweeney’s Books,  2006
Baker, Alyson and Ivana Mestrovic, editors.  Socrates Sculpture Park.  New York; Socrates                            Sculpture Park; New Haven and London: Yale University Press. 2006
Keegan, Matt and Sara Greenberger-Rafferty.  North Drive Press.  New York, NY.  June 2005

Russ, Sabina and Gregory Volk.  HOMExtension.  University Art Museum, University of Albany,  New York:   New York Press & Graphics, 2004
Kocache, Moukhtar and Erin Sheriff.  Site Matters:  The Lower Manhattan Cultural Council’s World Trade Center Artists Residency, 1997-2001.   New York:  Lower Manhattan Cultural Council,  2004
Kotik, Charlotta and Tumela Mosaka.  Open House: Working in Brooklyn.   New York: Brooklyn Museum,  2004
Kramer, David and John Massier.  B-LIST Brooklyn, Angst and Desire.  Hallwalls Contemporary Arts Center,  2003
Tully, Judd.  High & Inside.   New York:   Marlborough Gallery,  2003
Charley 01.  Les Presses Du Reel/Janvier. Italy:  FBM,  2002
Nahas, Dominique.  “Brooklyn!  True and Through.”  Brooklyn.  Lake Worth:  Palm Beach
Institute of Contemporary Art,  2001
Campbell, Beth.  “Part of Me.”  Kim Krause-Greek Variations.    Cincinnati:  Linda Schwartz Gallery,  2001
Fisuras. Spain: 2001
Skvirsky, Karina. “Artexts.  New York:  Jamaica Center for the Arts and Learning Inc, 2001
Brogger, Andreas, ed.  Hvedekorn.  Number 2/2000.  Copenhagen: 2000
Artist in the Marketplace: Twentieth Annual Exhibition.  New York:  The Bronx Museum of the Arts,  2000
Scott, Sue.  Collector’s Choice II: Contemporary Art From Central Florida Collections.  Orlando: Orlando     Museum of  Art.  2000
White Columns: White Rooms 1997-2000.  New York:  White Columns,  2000
Hunt, David.  “Tomorrow.”  Tomorrow.  New York:  Razorfish Studios, Inc.  RSUB,  2000
Greater New York: New Art in New York Now.  New York:  PS1 Contemporary Art Center, 2000


2011    John Simon Guggenheim Foundation Fellowship.  New York, NY.
2010    Arts/Industry Residency, John Michael Kohler Arts Center.  Kohler, WI.
2009    Louis Comfort Tiffany Foundation Biennial Award.  New York, NY.
2009    Santo Foundation Individual Artist Award.  St. Louis, MO
2007     Distinguished Alumni Award. School of Art, Ohio University, Athens, OH
2007    In the Public Realm, Public Art Fund, New York City, NY
2006    Pollack/Krasner Foundation Grant
2006    Lower East Side Printshop Special Editions Residency Program
2004    Selected for the Artist’s Pension Trust.  New York City, NY
2003    Awarded workspace residency at Dieu Donne Papermill.  New York, NY
2002    Pennies From Heaven Fund.  The New York Community Trust
2001    Art OMI, Omi, NY
2001     Atlantic Center for the Arts, studied with Poet Ann Lauterbach, New Smyrna Beach, FL
2000     Rema Hort Mann Foundation Art Grant
2000      World Views, Lower Manhattan Cultural Council residency program at the World Trade Center
2000    Emerging Artist Fellowship, Socrates Sculpture Park, Queens, NY
2000    Artist in the Marketplace Program, The Bronx Museum
1997    Matching School Fellowship Program.  Skowhegan School of Painting and    Sculpture and Ohio University

The Museum of Modern Art.  New York, NY
The Whitney Museum of American Art. New York, NY
The New School.  New York,  NY
Altoids Curiously Strong Collection.  New Museum of Contemporary Art.   New York. NY
Bloomberg Radio and News.  New York, NY
Progressive Corporation, Mayfield Village, OH

Online Video Interview

“Inside the Studio: Artist Video Profiles,” Independent Curators International (2008)

“Social Interactions: Beth Campbell/ Stephen Willats at Seiler + Mosseri-Marlio Gallery,” Vernissage TV (2009)